| Tuesday | 18 September (location BC 420) |
| 10-13 | Foundations
Music-theoretical Foundations I: Harmony and Form in Chopin (Uri Rom) — Short break — Music-theoretical Foundations II: Baroque and Classical Schemata in Chopin’s Music (Markus Neuwirth) |
| 13-14.30 | Lunch |
| 14.30-18 | Hands-on Session I: The Mazurkas
Writing your own Chopin I: Unlocking Chopin’s Dance Forms (Uri Rom) — Coffee break — Writing your own Chopin I, continued (Uri Rom) |
| Wednesday |
19 September (location BC 410) |
| 10-13 | Corpus research
The DCML Corpus Project: Tonal Harmony, Schemata, and Distant Listening (Neuwirth) Formalizing, Modelling, and Retrieving Schemata (Christoph Finkensiep) ––– Short break ––– Beneath (or Beyond) the Surface: Discovering the Cadenza Composta with Skipgrams (David Sears) |
| 13-14.30 | Lunch |
| 14.30-18 | Corpus methods
Corpus Studies and “Close Listening” (Nathan Martin) –– Coffee break ––– Panel Discussion: Martin, Sears, Diergarten, Rom, Neuwirth, Rohrmeier, and Finkensiep |
| Thursday |
20 September (location AAC 014) |
| 10-13 | Schemata in 18th- and 19th-century music
Cadence and Formal Function in Mozart’s Music: A Corpus-based Approach (Nathan Martin) ––– Short break ––– Learning Music in Warsaw: On Chopin’s Musical Education (Felix Diergarten) Reapproaching the Familiar Images: Thoroughbass and Schemata in Bruckner’s Seventh Symphony (Felix Diergarten) |
| 13-14.30 | Lunch |
| 14.30-18 | Hands-on session II: The Nocturnes
Writing your own Chopin II: The Art of Melodic Embellishment (Uri Rom) ––– Coffee break ––– Writing your own Chopin II: Presentation of Results (Uri Rom) |
| 20-21.30 | Final concert (MED Hall) |