Publications

Frank, I., Feneley, M., Kenderdine, S. & J. Shaw (2021), The Atlas of Maritime Buddhism. Hong Kong: City University Press.

Chao, H. Kenderdine, S. & Shaw J., eds. (2016). 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future. Hong Kong: International Guoshu Association, 165–189.

Kenderdine, S. (2013). Place-Hampi: Inhabiting the panoramic imaginary of Vijayanagara. Heidelberg: Kehrer Verlag.

Cameron, F. & Kenderdine, S. eds. (2007). Theorizing Digital cultural heritage: a critical discourse. Cambridge, MA: MIT Press.

Kenderdine, S. (1995), Shipwrecks 1656—1942: A guide to Historic Wreck Sites of Perth, Perth: Western Australian Maritime Museum.

Kenderdine, S. (1994), Historic shipping on the Murray River: A guide to the terrestrial and submerged archaeological resources in New South Wales and Victoria: Murray-Darling Basin Commission; Victoria. Department of Planning and Development; New South Wales. Department of Planning Sydney, Dept Planning.

Kenderdine, S. (1993), Historic shipping on the River Murray, South Australia, Adelaide: Department of Environment and Land Management Murray-Darling Basin Commission.

Kenderdine, S. (1991), Artefacts from shipwrecks in the south-east, 1851-1951: A catalogue of collections of artefacts from vessels Wrecked in the South-east of South Australia between 1851 and 1951, Adelaide: State Heritage Branch, Dept. of Environment and Planning.

Kenderdine, S. & Shaw, J. (2018). ‘The Museological Re-enactment of Lingnan Hung Kuen’, in Chao, H. (ed.), Across the Century: Kung Fu Narratives in Cinema and Community. Hong Kong: City University of Hong Kong Press, 137–159.

Kenderdine, S. (2018). ‘Changing significance: digital heritage and its interpretations’ in Falkenberg, R. & Jander, H. (eds.) Assessment of Significance: Deuten–Bedeuten–Umdeuten. Berlin: Deutsche Historische Museum.

Chao, H. Delbridge, M. Kenderdine, S. Nicholson, L. & Shaw, J. (2018). ‘Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive’, in Whatley, S. Cisneros, R. & Sabiescu, A. (eds.), Digital Echoes. Basingstoke: Palgrave, 249–264.

Greuter, S., S. Kenderdine and J. Shaw. (2018). ‘Pure Land UNWIRED: New Approaches to Virtual Reality for Heritage at Risk’, in M. Khosrow-Pour (ed.), Virtual and Augmented Reality: Concepts, Methodologies, Tools, and Applications (Information Resources Management Association Edition). Hershey, PA: IGI Global, 1679–1701.

Kenderdine, S. (2017), ‘Travelling Kungkarangkalpa’, in Neale, M. (ed), Songlines: Tracking the Seven Sisters, National Museum of Australia Press, pp. 82-85

Kenderdine, S. & J. Shaw. (2017). The Conjunction of New Media Art and Chinese Cultural Heritage, in Minding the Digital. Shanghai: Tonji University Press: 127-135.

Kenderdine, S. & Shaw, J. (2017). ‘Archives in Motion. Motion as Meaning’, in Grau, O. (ed.), Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era. Berlin: De Gruyter, 211–233. 

Shaw, J. Kenderdine, S. & Chao, H. (2017). ‘Establishing a Permanent Kung Fu Museum in Hong Kong’ in Cho, A. Lo, P. & Chiu, D. (eds.), Chandos Information Professional Series, Inside the World’s Major East Asian Collections. Cambridge, Mass./Kidlington, UK: Chandos Publishing, 343–354.

Kenderdine, S. (2016). ‘Embodiment, entanglement and immersion in digital cultural heritage’ in S. Schreibman, R. Siemens & J. Unsworth (eds.), A New Companion to Digital Humanities. John Wiley & Sons Ltd, 22–41.

Kenderdine, S. & Shaw, J. (2016). ‘A digital legacy for Living Culture’, in Chao, H. Kenderdine, S. & Shaw, J. (eds.), 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future. Hong Kong: International Guoshu Association, 165–189.

Kenderdine, S., Nicholson, J. and Mason, I. (2016) ‘Modeling People and Populations: Exploring Medical Visualization through Immersive Interactive Virtual Environments’, in J Nicholson, A Darzi, E Holmes and JC Lindon (eds), Metabolic Phenotyping in Personalized and Public Healthcare, Cambridge: Elsevier, pp. 334-368.

Kenderdine, S. and Shaw, J. (2014) ‘A Cultural Heritage Panorama: Trajectories in Embodied Museography’, in H Din and S Wu (eds), Digital Heritage and Culture – Strategy and Implementation, Singapore: World Scientific Publishing Co, pp. 197-218

Kocsis, A. and Kenderdine, S. (2014) ‘I Sho U: An Innovative Method for Museum Visitor Evaluation’, in H Din and S Wu (eds), Digital Heritage and Culture – Strategy and Implementation, Singapore: World Scientific Publishing Co, pp. 245-260

Kenderdine, S., Shaw, J. & Gremmler, T. (2012). ‘Cultural Data Sculpting: Omnidirectional Visualization for Cultural Datasets’, in Marchese, F. & Banissi, E.  (eds.), Knowledge Visualization Currents: From Text to Art to Culture. London: Springer, 199–221.

Kenderdine, S. and Shaw, J. (2012) ‘Making UNMAKEABLELOVE: The Relocation of Theatre’, in R Vanderbeeken, B de Backere, D Depestel and C Stalpaert (eds), Theater Topics: Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts, Amsterdam: Amsterdam University Press, pp. 102-120.

Shaw, J., Kenderdine, S. and Coover, R. (2011) ‘Re-Place: The Embodiment of Virtual Space’, in T Bartscherer and R Coover (eds), Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, Chicago: University of Chicago Press, pp. 218-238.

Kenderdine, S. (2007) ‘Speaking in Rama: Panoramic Vision in Cultural Heritage Visualisation’, in FR Cameron and S Kenderdine (eds), Theorizing Digital Cultural Heritage: A Critical Discourse, Cambridge: MIT Press, pp. 301-332

Kenderdine, S. Shaw, J. Del Favero, D. & Brown, N.C. (2008). ‘Place-Hampi: Co-evolutionary narrative & augmented stereographic panoramas, Vijayanagara, India’, in Kalay, Y. Kvan, T. & Affleck, J. (eds.), New heritage: New media and cultural heritage. London: Routledge, 336–352.

da Costa, K., Kenderdine, S., Ogleby, C. & Ristevski, J. (2003) ‘VROOM (Virtual Reconstruction of Olympia Model): The Creation of a Virtual Tour from a Digital Model’, in D Phillips and D Pritchard (eds), The Sydney 2000 Olympics Book, Sport and Festival in the Ancient Greek World, Swansea: Classical Press of Wales, pp. 377-439.

Kenderdine, S. Shaw, J. Del Favero, D. & Brown, N.C. (2008). ‘Place-Hampi: Co-evolutionary narrative & augmented stereographic panoramas, Vijayanagara, India’, in Kalay, Y. Kvan, T. & Affleck, J. (eds.), New heritage: New media and cultural heritage. London: Routledge, 336–352.

Kenderdine, S. (2020). ‘Tracing Intangibles in Museums’ Volkskunde, Sporen/Traces, special issue 3/2020.

Kenderdine, S. (2019). ‘Archives in Motion: Intangible Heritage and Embodied Exhibitions’. ICH Courier online 39.

Lo, P., Chan, H.H.Y., Tang, A.W.M., Chiu, D.K.W., Cho, A., See-To, E.W.K., Ho, K.K.W., He, M., Kenderdine, S. & Shaw, J. (2019). ‘Visualising and revitalising traditional Chinese martial arts: Visitors’ engagement and learning experience at the “300 years of Hakka Kungfu”’, Library Hi Tech 37(2): 273-292. DOI 10.1108/LHT-05-2018-0071

Dredge, P., S. Ives, D. L. Howard, K. M. Spiers, A. Yip, and S. Kenderdine. (2015). ‘Mapping Henry: Synchrotron-sourced X-ray fluorescence mapping and ultra-high-definition scanning of an early Tudor portrait of Henry VIII‘. Applied Physics A: Materials Science and Processing 121(3), 789–800.

Kenderdine, S., Chan, LKY & Shaw, J. (2014). ‘Pure Land: Futures for Embodied Museography’. Journal on Computing and Cultural Heritage 7(2), Article No. 8.

Kenderdine, S. (2013). ‘Pure Land: Inhabiting the Mogao Caves at Dunhuang’. Curator: The Museum Journal 56(2), 199–218. 28 Citations (Google Scholar, 29/12/2018).

Kocsis, A., C. Barnes and S. Kenderdine. (2012). ‘Digital Mediation and the Museum Space‘. Interiors 3(1–2), 107–126.

Schettino, P. and S. Kenderdine (2011) ‘PLACE-Hampi: Narratives of Inclusive Cultural Experience‘, International Journal of the Inclusive Museum 3(3), 141–156.

Kenderdine, S. & Shaw, J. (2009). ‘New media in situ: the re-socialization of public space’. International Journal of Arts and Technology 2(4), 258–276.

Kenderdine, S. (2008). ‘An entanglement of people-things: Place-Hampi’. International Journal of Digital Cultural Heritage and E-Tourism 1(2-3), 139–156. 

Lock, J. G., Filonik, D., Lawther, R.,  Pather, N., Gaus, K., Kenderdine, S., & Bednarz. T. (2018). ‘Visual analytics of single cell microscopy data using a collaborative immersive environment’. VRCAI ‘18 Proceedings 16th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry. Tokyo, Japan, 02-03 December. Article No. 11. 

Kraemer, K., Shaw, J., Chao, H., & Kenderdine, S. (2017). ‘Archiving Ephemeral Knowledge – Hong Kong Martial Arts As a Strategy for the Documentation of Intangible Cultural Heritage’, in Carsten Busch, Christian Kassung, Jürgen Sieck (eds.), Culture and Computer Science: Mixed Reality, Conference, 18/19. May 2017. Berlin.

Kenderdine, S., Forte, M. & Camporesi, C. (2014). ‘The rhizome of the Western Han’, Revive the Past. Proceedings of the 39th International Conference of Computer Applications and Quantitative Methods in Archaeology (Beijing, 12–16 April 2011). Amsterdam: Amsterdam University Press, 141–158.

Kenderdine, S. & Hart, T. (2014). mARChive: Sculpting Museum Victoria’s Collections, Museums and the Web: Proceedings, 2–5 April 2014, Baltimore, USA.

Kenderdine, S. & McKenzie, H. (2013). ‘A war-torn memory palace: animating narratives of remembrance’, Proceedings of Digital Heritage International Congress, Marseille: IEEE, 315–322.

Kenderdine, S. & Shaw, J. (2009). ‘UNMAKEABLELOVE: gaming technologies for the cybernetic theatre “Re-actor”’. Proceedings of the International Conference on Advances in Computer Entertainment, 362–365. 

Kenderdine. S. (2007). ‘Somatic solidarity, magical realism and animating popular gods: Place-Hampi “where intensities are felt”’, Proceedings, 11^th International Conference on Information Visualisation, N.4272012, 402–408.