Publications

Selected Publications

Frank, I., Feneley, M., Kenderdine, S. & J. Shaw (2021), The Atlas of Maritime Buddhism. Hong Kong: City University Press.

Chao, H. Kenderdine, S. & Shaw J., eds. (2016). 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future. Hong Kong: International Guoshu Association, 165–189.

Kenderdine, S. (2013). Place-Hampi: Inhabiting the panoramic imaginary of Vijayanagara. Heidelberg: Kehrer Verlag.

Cameron, F. & Kenderdine, S. eds. (2007). Theorizing Digital cultural heritage: a critical discourse. Cambridge, MA: MIT Press.

Kenderdine, S. (1995), Shipwrecks 1656—1942: A guide to Historic Wreck Sites of Perth, Perth: Western Australian Maritime Museum.

Kenderdine, S. (1994), Historic shipping on the Murray River: A guide to the terrestrial and submerged archaeological resources in New South Wales and Victoria: Murray-Darling Basin Commission; Victoria. Department of Planning and Development; New South Wales. Department of Planning Sydney, Dept Planning.

Kenderdine, S. (1993), Historic shipping on the River Murray, South Australia, Adelaide: Department of Environment and Land Management Murray-Darling Basin Commission.

Kenderdine, S. (1991), Artefacts from shipwrecks in the south-east, 1851-1951: A catalogue of collections of artefacts from vessels Wrecked in the South-east of South Australia between 1851 and 1951, Adelaide: State Heritage Branch, Dept. of Environment and Planning.

Hibberd, L. & Kenderdine, S. (2022). ‘Dark maneouvers: digitally reincorporating the marginalized body in the museum’, in (eds) T. Stylianou-Lambert, A. Heraclidou, & A. Bounia Museum Media(ting): Emerging Technologies and Difficult Heritage. New York and Oxford: Berghahn Press, 197-217.

Kenderdine, S., L. Hibberd, J. Shaw, T-Z Chang and Y. Hou. (2022, in press). ‘Archery Rites: Remaking Confucian Rites’ in (eds) H. Chao, L. Ma and L. Kim, Chinese Archery Studies: Theoretic and Historic Approaches to a Martial Discipline, Springer. 

Kenderdine, S. (2021). ‘Experimental museology: Immersive visualization and cultural (big) data’, in (eds) M. Achiam, M. Haldrup and K. Drotner, Experimental Museology Institutions, Representations, Users.  Abingdon: Routledge: 15-34.

Kenderdine, S. Yip A., Oliver, C., Pather, N., Sammut, C., Djokic, T., Marcus, N, Ong, A. (2021). ‘Designing Multi-disciplinary Interactive Virtual Environments for Next-Generation Immersive Learning Experiences: Case Studies and Future Directions in Astrobiology, Anatomy and Cultural Heritage’ in Hui A., Wagner C. (eds) Creative and Collaborative Learning through Immersion. Creativity in the Twenty First Century. Springer, Cham. https://doi.org/10.1007/978-3-030-72216-6_4

Kenderdine, S. (2020). ‘Omnidirectional Strategies for Exploring Ancient Cities and Territories’, in M. Forte & H. Murteira (eds.), Digital Cities: Between History and Archaeology. Oxford: Oxford University Press, 185-206.

Kenderdine, S. (2020, in press). ‘Experimental museology: Immersive visualization and cultural (big) data’, in (eds) M. Achiam & M. Haldrup, Experimental Museology in the Age of Experience. London & New York: Routledge.

Hibberd, L & Kenderdine, S. (2021, in press). ‘Dark manoeuvres: digitally reincorporating the marginalized body in the museum’, in (eds) T. Stylianou-Lambert, A. Heraclidou & A. Bounia, Museum Media(ting): Emerging Technologies and Difficult Heritage. Oxford: Berghahn.

Kenderdine, S. & Sanderhoff, M. (2020). ‘Conversation 5: Sarah Kenderdine and Merete Sanderhoff’, in (eds) K. Winesmith & S. Anderson, The Digital Future of Museums: Conversations and Provocations. Abingdon: Routledge, 90–104.

Kenderdine, S. (2019). ‘Hemispheres: transdisciplinary architectures and museum-university collaboration’, in Lewi, H. Smith, W. Cooke, S. & vom Lehn, D. (eds.), International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Abingdon: Routledge, 305-318.

Kenderdine, S. & A. Yip. (2019). ‘The proliferation of aura: Facsimiles, authenticity and digital objects’, in K. Drotner, V. Dziekan, R. Parry & K. Schrøder (eds.), The Routledge Handbook to Museum Communication. Abingdon: Routledge, 274–289.

Kenderdine, S. & Shaw, J. (2018). ‘The Museological Re-enactment of Lingnan Hung Kuen’, in Chao, H. (ed.), Across the Century: Kung Fu Narratives in Cinema and Community. Hong Kong: City University of Hong Kong Press, 137–159.

Kenderdine, S. (2018). ‘Changing significance: digital heritage and its interpretations’ in Falkenberg, R. & Jander, H. (eds.) Assessment of Significance: Deuten–Bedeuten–Umdeuten. Berlin: Deutsche Historische Museum.

Chao, H. Delbridge, M. Kenderdine, S. Nicholson, L. & Shaw, J. (2018). ‘Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive’, in Whatley, S. Cisneros, R. & Sabiescu, A. (eds.), Digital Echoes. Basingstoke: Palgrave, 249–264.

Greuter, S., S. Kenderdine and J. Shaw. (2018). ‘Pure Land UNWIRED: New Approaches to Virtual Reality for Heritage at Risk‘, in M. Khosrow-Pour (ed.), Virtual and Augmented Reality: Concepts, Methodologies, Tools, and Applications (Information Resources Management Association Edition). Hershey, PA: IGI Global, 1679–1701.

Kenderdine, S. (2017), ‘Travelling Kungkarangkalpa’, in Neale, M. (ed), Songlines: Tracking the Seven Sisters, National Museum of Australia Press, pp. 82-85

Kenderdine, S. & J. Shaw. (2017). The Conjunction of New Media Art and Chinese Cultural Heritage, in Minding the Digital. Shanghai: Tonji University Press: 127-135.

Kenderdine, S. & Shaw, J. (2017). ‘Archives in Motion. Motion as Meaning’, in Grau, O. (ed.), Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era. Berlin: De Gruyter, 211–233. 

Shaw, J. Kenderdine, S. & Chao, H. (2017). ‘Establishing a Permanent Kung Fu Museum in Hong Kong’ in Cho, A. Lo, P. & Chiu, D. (eds.), Chandos Information Professional Series, Inside the World’s Major East Asian Collections. Cambridge, Mass./Kidlington, UK: Chandos Publishing, 343–354.

Kenderdine, S. (2016). ‘Embodiment, entanglement and immersion in digital cultural heritage’ in S. Schreibman, R. Siemens & J. Unsworth (eds.), A New Companion to Digital Humanities. John Wiley & Sons Ltd, 22–41.

Kenderdine, S. & Shaw, J. (2016). ‘A digital legacy for Living Culture’, in Chao, H. Kenderdine, S. & Shaw, J. (eds.), 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future. Hong Kong: International Guoshu Association, 165–189.

Kenderdine, S., Nicholson, J. and Mason, I. (2016) ‘Modeling People and Populations: Exploring Medical Visualization through Immersive Interactive Virtual Environments’, in J Nicholson, A Darzi, E Holmes and JC Lindon (eds), Metabolic Phenotyping in Personalized and Public Healthcare, Cambridge: Elsevier, pp. 334-368.

Kenderdine, S. and Shaw, J. (2014) ‘A Cultural Heritage Panorama: Trajectories in Embodied Museography’, in H Din and S Wu (eds), Digital Heritage and Culture – Strategy and Implementation, Singapore: World Scientific Publishing Co, pp. 197-218

Kocsis, A. and Kenderdine, S. (2014) ‘I Sho U: An Innovative Method for Museum Visitor Evaluation’, in H Din and S Wu (eds), Digital Heritage and Culture – Strategy and Implementation, Singapore: World Scientific Publishing Co, pp. 245-260

Kenderdine, S., Shaw, J. & Gremmler, T. (2012). ‘Cultural Data Sculpting: Omnidirectional Visualization for Cultural Datasets’, in Marchese, F. & Banissi, E.  (eds.), Knowledge Visualization Currents: From Text to Art to Culture. London: Springer, 199–221.

Kenderdine, S. and Shaw, J. (2012) ‘Making UNMAKEABLELOVE: The Relocation of Theatre’, in R Vanderbeeken, B de Backere, D Depestel and C Stalpaert (eds), Theater Topics: Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts, Amsterdam: Amsterdam University Press, pp. 102-120.

Shaw, J., Kenderdine, S. and Coover, R. (2011) ‘Re-Place: The Embodiment of Virtual Space’, in T Bartscherer and R Coover (eds), Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, Chicago: University of Chicago Press, pp. 218-238.

Kenderdine, S. (2007) ‘Speaking in Rama: Panoramic Vision in Cultural Heritage Visualisation’, in FR Cameron and S Kenderdine (eds), Theorizing Digital Cultural Heritage: A Critical Discourse, Cambridge: MIT Press, pp. 301-332

Kenderdine, S. Shaw, J. Del Favero, D. & Brown, N.C. (2008). ‘Place-Hampi: Co-evolutionary narrative & augmented stereographic panoramas, Vijayanagara, India’, in Kalay, Y. Kvan, T. & Affleck, J. (eds.), New heritage: New media and cultural heritage. London: Routledge, 336–352.

da Costa, K., Kenderdine, S., Ogleby, C. & Ristevski, J. (2003) ‘VROOM (Virtual Reconstruction of Olympia Model): The Creation of a Virtual Tour from a Digital Model’, in D Phillips and D Pritchard (eds), The Sydney 2000 Olympics Book, Sport and Festival in the Ancient Greek World, Swansea: Classical Press of Wales, pp. 377-439.

Kenderdine, S. Shaw, J. Del Favero, D. & Brown, N.C. (2008). ‘Place-Hampi: Co-evolutionary narrative & augmented stereographic panoramas, Vijayanagara, India’, in Kalay, Y. Kvan, T. & Affleck, J. (eds.), New heritage: New media and cultural heritage. London: Routledge, 336–352.

Kenderdine, S. (2021). Prosthetic architectures of the senses: museums and immersion’, in (eds) M. Beugnet & L. Hibberd, dossier: ‘Absorbed in Experience: new perspectives on immersive media’, Screen 61(4): 635-645.

Kenderdine, S., L. Hibberd & J. Shaw (2021). ‘Radical intangibles: materializing the ephemeral’, special issue: ‘Digital (and) Materiality’ Museums’ Museum and Society Journal 19(1): 252-272.

Hou, Y., Kenderdine, S., Picca, D., Egloff, M., & Adamou, A. (2022). Digitizing Intangible Cultural Heritage Embodied: state of the art. Journal on Computing and Cultural Heritage (JOCCH).

Kenderdine, S. (2020). ‘Tracing Intangibles in Museums’ Volkskunde, Sporen/Traces, special issue 3/2020.

Kenderdine, S. (2020).‘Prosthetic architectures of the senses: museums and immersion’, in M. Beugnet & L. Hibberd (eds), Screen, ‘Immersion dossier’.

Jaquet, D. & S. Kenderdine. (2020). ‘The Murten Panorama, from the 2D to the 4D’ International Panorama Council journal 3: 102-109.

Kenderdine, S. (2019). ‘Archives in Motion: Intangible Heritage and Embodied Exhibitions’. ICH Courier online 39. 

Lo, P., Chan, H.H.Y., Tang, A.W.M., Chiu, D.K.W., Cho, A., See-To, E.W.K., Ho, K.K.W., He, M., Kenderdine, S. & Shaw, J. (2019). ‘Visualising and revitalising traditional Chinese martial arts: Visitors’ engagement and learning experience at the “300 years of Hakka Kungfu”’, Library Hi Tech 37(2): 273-292. DOI 10.1108/LHT-05-2018-0071

Dredge, P., S. Ives, D. L. Howard, K. M. Spiers, A. Yip, and S. Kenderdine. (2015). ‘Mapping Henry: Synchrotron-sourced X-ray fluorescence mapping and ultra-high-definition scanning of an early Tudor portrait of Henry VIII‘. Applied Physics A: Materials Science and Processing 121(3), 789–800.

Kenderdine, S., Chan, LKY & Shaw, J. (2014). ‘Pure Land: Futures for Embodied Museography’. Journal on Computing and Cultural Heritage 7(2), Article No. 8.

Kenderdine, S. (2013). ‘Pure Land: Inhabiting the Mogao Caves at Dunhuang’. Curator: The Museum Journal 56(2), 199–218. 28 Citations (Google Scholar, 29/12/2018).

Kocsis, A., C. Barnes and S. Kenderdine. (2012). ‘Digital Mediation and the Museum Space‘. Interiors 3(1–2), 107–126.

Schettino, P. and S. Kenderdine (2011) ‘PLACE-Hampi: Narratives of Inclusive Cultural Experience‘, International Journal of the Inclusive Museum 3(3), 141–156.

Kenderdine, S. & Shaw, J. (2009). ‘New media in situ: the re-socialization of public space’. International Journal of Arts and Technology 2(4), 258–276.

Kenderdine, S. (2008). ‘An entanglement of people-things: Place-Hampi’. International Journal of Digital Cultural Heritage and E-Tourism 1(2-3), 139–156. 

Kenderdine, S., I. Mason, I. & L. Hibberd. (2021). ‘Computational archives for experimental museology’ ‘RISE IMET 2021’ International Conference on Interactive Media, Smart Systems and Emerging Technologies, ‘Emerging technologies and the digital transformation of museums and heritage sites, June 2-4, 2021, Nicosia, Cyprus.

Lock, J. G., Filonik, D., Lawther, R.,  Pather, N., Gaus, K., Kenderdine, S., & Bednarz. T. (2018). ‘Visual analytics of single cell microscopy data using a collaborative immersive environment’. VRCAI ‘18 Proceedings 16th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry. Tokyo, Japan, 02-03 December. Article No. 11. 

Kraemer, K., Shaw, J., Chao, H., & Kenderdine, S. (2017). ‘Archiving Ephemeral Knowledge – Hong Kong Martial Arts As a Strategy for the Documentation of Intangible Cultural Heritage’, in Carsten Busch, Christian Kassung, Jürgen Sieck (eds.), Culture and Computer Science: Mixed Reality, Conference, 18/19. May 2017. Berlin.

Kenderdine, S., Forte, M. & Camporesi, C. (2014). ‘The rhizome of the Western Han’, Revive the Past. Proceedings of the 39th International Conference of Computer Applications and Quantitative Methods in Archaeology (Beijing, 12–16 April 2011). Amsterdam: Amsterdam University Press, 141–158.

Kenderdine, S. & Hart, T. (2014). mARChive: Sculpting Museum Victoria’s Collections, Museums and the Web: Proceedings, 2–5 April 2014, Baltimore, USA.

Kenderdine, S. & McKenzie, H. (2013). ‘A war-torn memory palace: animating narratives of remembrance’, Proceedings of Digital Heritage International Congress, Marseille: IEEE, 315–322.

Kenderdine, S. & Shaw, J. (2009). ‘UNMAKEABLELOVE: gaming technologies for the cybernetic theatre “Re-actor”’. Proceedings of the International Conference on Advances in Computer Entertainment, 362–365. 

Kenderdine. S. (2007). ‘Somatic solidarity, magical realism and animating popular gods: Place-Hampi “where intensities are felt”’, Proceedings, 11th International Conference on Information Visualisation, N.4272012, 402–408.